The Big Apple is, among other things culinary, a tribute to provincial
cooking. It’s the place in America where — at a decided remove
from their origins — regional cuisines get their due and honest
local foods are accorded the reverence they deserve.
New York City has hot dog diners that conjure Chicago by way of
troweling neon-green relish on a Vienna tube. And there’s at least one good
cheesesteak stand that works magic with the Philadelphia troika of chopped
beef, griddled onions, and Cheez Whiz. Of late, though, Southern food has
been ascendant.
You could call it a legacy of the Clinton years. Or you might say it has
something to do with Bush (though he’s not really from Texas). More likely
it’s a response to the perceived homogenization of American culture, by
which I mean that, faced with the prospect that our nation is fast becoming
one big strip mall with a Wal-Mart anchoring one end and a McDonald’s the
other, we are waking up to the import of distinctive regional culture and regional
cuisine. And when Americans go looking for that, we turn our attentions
to the South, where blues and jazz were born and fried chicken and
barbecue traditions were honed.
Postmodern barbecue restaurants with Southern bona fides (or at
least proud regional pedigrees) have been popping up with frequency in New York City for the past decade.
RUB, aka Righteous Urban Barbecue
(a joint on 23rd Street) and Blue Smoke
(a comparative palace on 27th Street)
are among the best of the breed. And it
seems as if in summer there’s a Daisy
May’s BBQ cart on every third corner.
But fried chicken, that other great Southern export, has been in short supply.
Sure, those inclined to make the trek up to Harlem could
always grab a leg and a thigh and a biscuit at Miss
Mamie’s or Charles’ Southern Style Kitchen. And fans
of Latin fried chicken have long doted on New Caporal,
a fast-food window way up above 150th Street, where
they marinate the chicken in mojo, deep fry it, and
pile it atop a nest of curlicue fries. But fried chicken
— really good fried chicken — has not been an everyday
indulgence for New Yorkers. Until now.
This spring, the husband-and-wife
team of Slade Rushing and Allison
Vines-Rushing opened Dirty Bird to Go,
a 6-stool, 430-square-foot cubbyhole on
14th Street between 7th and 8th avenues.
This was not an act of hubris.
They are Southerners by birth. Allison
hails from Monroe, Louisiana. Slade
was born in Tylertown, Mississippi.
Among New Yorkers they are known
as the team that made the diminutive
East Village restaurant, Jack’s Luxury
Oyster Bar, a place of pilgrimage for
Oysters Rockefeller Deconstructed.
New Orleanians, on the other hand,
know them as the duo who quit the big
city and, weeks after Hurricane Katrina
hit, opened Longbranch, a fine dining
outpost across the lake in Abita Springs.
Dirty Bird seems, at first blush, an odd career move. Simply put, it’s a fastfood
takeaway. Granted, they fry free-range birds and serve
free-trade coffee. But there’s nothing grand about Dirty
Bird. That’s a large part of the appeal.
The look is modern, almost austere. This is no exercise in nostalgia, no Cracker
Barrel knockoff geared to appeal to expatriate Southerners
pining for kitsch and collards. The storefront is a
floor-to-ceiling plane of glass. Above the entrance
hangs an electric-orange awning. The ceiling is girded
by maple beams. The walls are white subway tiles, scrubbed
and gleaming. Bright-orange and green signage advertises
the bill of fare.
Order the fried chicken and you get
a bird that has been soaked in a sugar-and-salt brine, double-dipped, and then
fried to a ruddy brown. Drumsticks
emerge from their oil berth crispy on
the outside and juicy on the inside, the
way God intended. Ditto the thighs.
Even breasts — almost always drier —
are, thanks to the brine, moist beneath
the crust.
When I visited in June, there were a few misses on the menu. The slow-roasted
potatoes were yawners. And the cauliflower was not blooming
but wilting. The chicken, however, was worthy of a farm
woman’s table. And even better was the dirty rice, enlivened
by a spry mix of chopped livers and giblets.
In an effort to get every bit of dirty
rice in my mouth, I broke off a piece of
shallot cornbread and chased each
grain around the bowl. The taste of that
cornbread — the sweet intensity of our
native maize, the angular punch of
shallot — told me that, once and for all,
the cooking of the Southern provinces
has entered the workaday gastronomic
lexicon of New York City. With any
luck, it’s there to stay.
Shallot Cornbread
Allison Vines-Rushing says this
cornbread was a goof. One night,
when she and Slade were cooking
at Jack’s Luxury Oyster Bar, Allison
baked a cornbread to top with foie
gras mousse. But she left out
the baking soda. And, when the
cornbread emerged from the oven,
it was dense and flat. Turns out the
shape and texture were perfect
for the mousse. What’s more, the
bread — creamy and perfumed with
shallots — tasted great all by itself.
Soon, it was the house bread at
Jack’s. And then when Allison and
Slade made their move back south
to Longbranch in Lousiana, the
shallot cornbread went along, as
well. Finally, when they reverse
commuted to New York to open
Dirty Bird to Go, the culinary goof
took its place on their fried chicken
menu. It’s good. Really good.
2 cups all-purpose flour
2 cups cornmeal
4 eggs
8 oz. (two sticks) unsalted butter melted and cooled to room temperature
2 tablespoons salt
2 cups milk
3 shallots minced
olive oil
parchment paper
In a large bowl, whisk together
flour, cornmeal, and salt. Form
a well in the center and add eggs,
milk, and shallots. Carefully whisk
wet ingredients together into dry
until completely combined. Finish
by whisking in the butter.
Pour into sheet pan lined
with parchment paper coated with olive oil. Bake
in preheated 400-degree oven for 15 to 18 minutes
or until edges are brown and center is firm.
|
JOHN T. Edge
is the food columnist for US Airways Magazine.
He often appears as a food critic on NPR, as well as Iron
Chef America.
Illustration by Jason Greenberg |