The alarm clock, it would seem, is a cruel instrument, designed to
jolt us from our most peaceful state, to end our dreams, to thrust
us without warning into the busy, waking world. When we set our
morning alarm, it invariably means we have a job to do. “Work is a
necessity for man,” observed Pablo Picasso. “Man invented the alarm clock.”
The earliest mechanical clocks, traced to (roughly) 14th-century Europe,
were nothing but alarms — faceless, hands-less objects that sounded a bell
at a designated hour. Today you can get alarm clocks that yield almost any
noise: your favorite morning DJ, a pre-programmed tune, a knocking sound.
One company’s “moonbeam alarm” wakes you with a flashing light. The
Zen alarm sounds a single, steady chime. Another clock emits a rooster’s
call. (If not for the needy hen, might not the alarm clock have long ago
rendered the barnyard cock obsolete?)
Yet nothing remains more popular than the classic brr-ii-ii-ing, that tinny,
optimistic jingle that forces you to rise but also urges you to shine. The trilling
timepiece lends order to our lives — Ambrose Bierce defined oblivion as
“a dormitory without an alarm clock”— and as such it is perhaps not so cruel
after all, at least not to the happy life. The morning ring tells us that we are
receiving the most precious of all gifts to savor and to seize: another day. |